Michael Moorcock
For other meanings, see
Moorcock (disambiguation). Michael John Moorcock (born
December 18,
1939, in
London,
England) is a prolific English writer primarily of
science fiction and
fantasy who has also published a number of
literary novels.Moorcock's most popular works by far have been the
Elric novels, starring the character Elric of Melniboné. In these books, Elric is an
anti-hero written as a deliberate reversal of what Moorcock saw as clichés commonly found in fantasy adventure novels inspired by the works of
J.R.R. Tolkien, and a direct
antithesis of
Robert E. Howard's
Conan. Moorcock has also published a number of pastiches of writers for whom he felt affection as a boy, such as
Edgar Rice Burroughs,
Leigh Brackett, and Howard himself. All his fantasy adventures have elements of satire and parody while respecting what he considers the essentials of the form. While these are perhaps his best known works in the United States, he came to prominence in the UK as a literary author, with books like
Behold the Man and The Final Programme being received as non-genre work. Novels like the Cornelius Quartet, Mother London, King of the City, and the Pyat Quartet have established him in the eyes of critics in publications such as the
Times Literary Supplement and
The London Review of Books as a major contemporary literary novelist.
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Michael Moorcock
Michael Moorcock
Michael Moorcock
Michael John Moorcock (ur.
18 grudnia 1939), angielski pisarz
science-fiction oraz
fantasy.Michael Moorcock urodził się w Londynie. Pisarstwem zajął się już w wieku 15 lat. Wymyślał oraz spisywał historie i wysyłał je do obrazkowego magazynu "Tarzan Adventures". Wkrótce podjął próbę pisania prozą, udaną, gdyż jego opowiadania opublikowano w wielu liczących się czasopismach o tematyce Science-Fiction i Fantasy. W krótkim czasie stał się znanym i cenionym pisarzem.
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Michael John Moorcock
Divenne redattore per Tarzan Adventures nel 1956, a soli sedici anni, collaborando successivamente con Sexton Blake Library. Come curatore della controversa rivista di fantascienza inglese New Worlds, dal maggio 1964 fino al marzo 1971 e quindi nuovamente dal 1976 al 1996, Moorcock incoraggiò lo sviluppo della
New Wave nel
Regno Unito e indirettamente negli
Stati Uniti. La sua edizione a puntate di Jack Barron e l'Eternità (Bug Jack Barron) di
Norman Spinrad fu tristemente famosa perché portò gli MP inglesi a condannare in Parlamento il finanziamento della rivista da parte dell'Arts Council.
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