Miami bass

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Miami bass
Miami bass (also known as booty music, a term that may also include other genres, such as dirty rap), is a type of hip hop music that became popular in the 1980s and 1990s. It is known for applying the Roland TR-808 sustained kick drum, slightly higher dance tempos, and occasionally sexually explicit lyrical content. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's black ghettos such as Liberty City and Overtown" . Miami bass has never had consistent mainstream acceptance, but has had a profound impact on the development of drum and bassBaltimore ClubSouthern rapfunk carioca, and other genres of music.
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Miami Bass
La Miami Bass est un style musical qui se traduit par de la basse très forte, qui doit bouger en ryhtme.
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Miami Bass
Miami Bass ist eine von schnellen, elektronischen Beats geprägte Form des Hip-Hop, die in den 80er und 90er Jahren große Popularität erlangte.Der Stil des Miami Bass ist ein direkter Abkömmling des traditionellen Electro Funk der 80er Jahre, was man an den Beats des häufig verwendeten Drumcomputers TR-808 erkennen kann. Die Texte sind meist humorvoll gehalten und handeln oft explizit von sexuellen Themen. Teile der Hip-Hop-Szene kritisieren deshalb die mangelnde Glaubwürdigkeit (Credibility) des Miami Bass und die vergleichsweise banalen Texte.
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Miami bass
Miami bass (dirty rap, booty music) - podgatunek hip-hopu zawierający elementy muzyki discotechno i electro.Nurt ten narodził się w połowie lat 80. XX wieku w północnej części Florydy. Znakiem charakterystycznym Miami Bass są szybkie podkłady i teksty zawierające treści erotyczne (np. opisujące stosunek seksualny, czy imprezy erotyczne), przez co od samego początku do dziś wzbudza spore kontrowersje. Charakterystyczną cechą jest wykorzystywanie automatu TR-808.
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Miami bass
Miami bass, conosciuta anche come booty music (un termine che include anche altri generi) è un sottogenere di musica hip hop diventata particolarmente poplare negli anni 1980 e 1990, conosciuta per l'applicazione delle percussione del Roland TR-808, la velocità superiore alla normale dance, ed occasionalmente temi di sessualità esplicita nelle liriche. Richie Unterberger ha caratterizzato il Miami bass con l'uso di ritmi "stop start flavor" e "hissy" cimbali con liriche che riflettono il linguaggio della strada, particolarmente i ghetti neri di Miami come Liberty City. Il Miami bass non ha mai avuto importanti affermazioni nel mainstream musicale, ma ha avuto un profondo impatto sullo sviluppo del Drum'n'Bass, del Southern rap, ed altri generi musicali.
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