Miami bass
Miami bass (also known as booty music, a term that may also include other genres, such as
dirty rap), is a type of
hip hop music that became popular in the 1980s and 1990s. It is known for applying the
Roland TR-808 sustained kick drum, slightly higher dance tempos, and occasionally sexually explicit lyrical content. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy"
cymbals with lyrics that "reflected the language of the streets, particularly
Miami's black
ghettos such as
Liberty City and
Overtown" . Miami bass has never had consistent mainstream acceptance, but has had a profound impact on the development of
drum and bass,
Baltimore Club,
Southern rap,
funk carioca, and other genres of music.
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Miami Bass
Miami Bass
Miami Bass ist eine von schnellen, elektronischen Beats geprägte Form des
Hip-Hop, die in den 80er und 90er Jahren große Popularität erlangte.Der Stil des Miami Bass ist ein direkter Abkömmling des traditionellen
Electro Funk der 80er Jahre, was man an den Beats des häufig verwendeten Drumcomputers
TR-808 erkennen kann. Die Texte sind meist humorvoll gehalten und handeln oft explizit von sexuellen Themen. Teile der
Hip-Hop-Szene kritisieren deshalb die mangelnde Glaubwürdigkeit (Credibility) des Miami Bass und die vergleichsweise banalen Texte.
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Miami bass
Miami bass (dirty rap, booty music) - podgatunek hip-hopu zawierający elementy muzyki
disco,
techno i
electro.Nurt ten narodził się w połowie lat
80. XX wieku w północnej części
Florydy. Znakiem charakterystycznym Miami Bass są szybkie podkłady i teksty zawierające treści erotyczne (np. opisujące stosunek seksualny, czy imprezy erotyczne), przez co od samego początku do dziś wzbudza spore kontrowersje. Charakterystyczną cechą jest wykorzystywanie automatu TR-808.
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Miami bass
Miami bass, conosciuta anche come booty music (un termine che include anche altri generi) è un sottogenere di musica
hip hop diventata particolarmente poplare negli
anni 1980 e
1990, conosciuta per l'applicazione delle percussione del
Roland TR-808, la velocità superiore alla normale dance, ed occasionalmente temi di sessualità esplicita nelle liriche. Richie Unterberger ha caratterizzato il Miami bass con l'uso di ritmi "stop start flavor" e "hissy" cimbali con liriche che riflettono il linguaggio della strada, particolarmente i ghetti neri di Miami come Liberty City. Il Miami bass non ha mai avuto importanti affermazioni nel mainstream musicale, ma ha avuto un profondo impatto sullo sviluppo del
Drum'n'Bass, del
Southern rap, ed altri generi musicali.
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