Ivar Aasen

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Ivar Aasen
Ivar Andreas Aasen (August 51813 –  September 231896) was a Norwegian philologistlexicographerplaywright and poet.Aasen was born at Åsen in Ørsta (then Ørsten), in the district of Sunnmøre, on the west coast of Norway. His father, a small peasant-farmer named Ivar Jonsson, died in 1826. He was brought up to farmwork, but he assiduously cultivated all his leisure in reading, and when he was eighteen he opened an elementary school in his native parish. In 1833 he entered the household of H. C. Thoresen, the husband of the eminent writer Magdalene Thoresen, in Herøy (then Herø), and there he picked up the elements of Latin. Gradually, and by dint of infinite patience and concentration, the young peasant became master of many languages, and began the scientific study of their structure.
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Ivar Aasen
Ivar Aasen est un linguiste et écrivain norvégien (Volden , Christiania, aujourd'hui Oslo - 1896).
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Ivar Aasen
Ivar Andreas Aasen (* 5. August 1813 Ørsta in der Region Sunnmøre, Fylke Møre og Romsdal; † 23. September 1896 in Kristiania) war ein autodidakter norwegischer Sprachforscher und Dichter.
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Ivar Aasen
Ivar Andreas Aasen [czyt. o:sen] (ur. 5 sierpnia 1813 w Ørsta, zm. 23 września 1896 w Oslo) – norweski nauczyciel, poeta i językoznawca. Pochodził z rodziny chłopskiej, samouk. Przeciwnik stosowania w Norwegii języka duńskiego i twórca języka neonorweskiego 'landsmål', dziś zwanego "nynorsk", który powstał na podstawie badanych przez Aasena gwar chłopskich zachodniej Norwegii.Autor gramatyki (Det norske folkesprogs grammatik, 1848), słownika przysłów (Norske ordsprog), pieśni narodowych, nowel, poematów (Symra) i dramatów (Ervingen, 4 wyd. 1887).
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Ivar Aasen
Contadino autodidatta, fu il primo linguista di rilievo a portare avanti con forza, attraverso studi filologici e grammaticali, la necessità di valorizzare quella lingua paesana che a suo dire doveva rappresentare una norma scritta basata sulla parlata della classe contadina della Norvegia, specialmente quella della parte occidentale del paese. Sempre nell'ottica di propugnazione di questa forma di scrittura fu lui a darle il nome di landsmal (che dal 1929 prese il nome di nynorsk): il termine significava "lingua popolare", secondo le concezioni dell'ideologia romantica che Aasen abbracciava. La lotta a favore del landsmal fu accompagnata da una critica, ispirata anche da un forte spirito nazionalistico, al dano-norvegese.
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